A singular form with a monolith’s silhouette, the Creso experiments with a sole pedestal of support to transform a table into the kind of vigorous geometry that defined the eye of Lella and Massimo Vignelli.
Returned to a more faithful rendering of Vignelli’s ideas, the new Creso explores a use of materials that underlines the potency of the design, with its round top and pillar base crafted formidably in travertine, or topped by glass and marble, braced by a base with various metallic finishes.